4,222 Royalty-Free Audio Tracks for "Open Chords"

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Young temperament major chord on C. Created by Hyacinth (talk) 17:25, 15 December 2009 using Sibelius 5

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

Created by Hyacinth (talk) using Sibelius.

Augmented major seventh chord on C

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Diminished seventh chord as incomplete ninth in C.

Ninth vs added-ninth chord.

Minor major seventh chord on C.

C triad open position.

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Violoncello chord on D.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Chord progression with diminished seventh chords added, without chords added yet.

Diminished seventh chord on B.

Harmonic seventh chord on C. Equal tempered major chord with quarter tone flat minor seventh (950 cents). Created by Hyacinth (talk) 18:56, 10 November 2011 with Sibelius 5.

Bridge chord, named after en:Frank Bridge. Minor chord with a major chord a whole tone above. Chord pictured followed by arpeggio with D major at the octave.

D♭7♯11 chord = G7alt chord. G7alt chord = G,B,F,Ab,A#,C#,Eb. D♭7♯11 chord = D,F,Cb,Eb,G.

Bitonal polychord: F major on top of C major. Created by Hyacinth (talk) 01:48, 7 July 2009 using Sibelius 5.

Common-tone diminished seventh chord (♯vio42, in D major: b♯o7) in Tchaikovsky's Nutcracker Suite, op. 71a, III, Valse des Fleurs, mm.1-4.

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Diminished triad on C , as MIDI.

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Sound of an alpha chord on C# Klang eines Alpha-Akkords auf Cis

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

Diminished triad on B, as MIDI

Three beta chords on C♯. C♯, E, G, B♭, C♮; C♯, E, G, C♮; and C♯, G, C♮.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Alternate augmented ninth chord on C.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

German sixth with 6/4 resolution, generated on Sibelius.

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth: four-voice version.

Dominant thirteenth chord in four-part writing.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Viennese fourth chord.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

Generating chord for Michael Torke's Vanada (1984).

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.